How To Color Skin with Alcohol Markers | Skin Tutorial | Ohuhu

Tips Before You Begin

1. Swatch your colors

It’s always worth swatching your colors for easy reference. As you’ll find with most markers and pencils, the color of your barrel and lid won’t always be a perfect match for the ink inside. So creating a swatch can be a great permanent reference to keep with your markers for every future project.

2. Choose the right paper

Even though Ohuhu provide you with a blank swatch for your colors, I like making my own larger swatch on the paper I’ll be using. In this case, I’ve created a swatch on the Ohuhu Spiral-Bound Marker Pad. These pads are bleed-proof and acid-free, so they work well with these markers without bleeding through. Whenever you’re using alcohol-based markers, it’s best to use bleed-proof paper because regular paper will absorb more of the marker, making it harder to blend your colors, using more of your ink, and leaving you with a bigger chance of ink leaking through the page or bleeding out the lines.

The Ohuhu marker pads come in various sizes and include a plastic bleedproof sheet to stop any bleeding behind the page, although I didn’t have any issues with markers bleeding through anyway. It’s a nice safety net though!

When it comes to the actual coloring pages, I wanted to be able to print my line art first, so I’m using X-Press It Blending Card I purchased from Amazon a while ago. Depending on your printer, you may be able to tear out the Ohuhu marker pads with the perforated edges and print on them. There are other bleed-proof paper alternative that might also work for you. Either way, I recommend paper that’s intended for alcohol markers instead of regular printer paper, for the reasons I mentioned above.

3. Practice!

I don’t show it in the video, but I actually printed a smaller version of this coloring page and tested out my color combinations before coloring my final page. It gave me confidence in how my shading looked, and it helped me see if there were areas that I made too dark, or areas that I needed to color differently. But practice can also be the process of swatching your colors like I’ve done in these circles. These allowed me to see which colors blended well together and which ones needed extra colors in between. Some of the colors that I expected to look really good, didn’t. And some of the color combinations that I just “guessed” ended up being my favorite. So it’s worth trying some different options.

Here are the different swatches that I created using the 24 set of Ohuhu Skin-Tone Markers:

4. Choose your colors before you start

Instead of starting coloring and *hoping* for the best, it’s always a good idea to choose your colors first and test them out. In each of the examples I provided earlier, I tried to find between 2 to 4 colors. Ideally, I want one color for my shadows, one color for my highlights, and one or two colors for mid-tones.

Choosing colors isn’t just something to do when you’re coloring something like skin tones. I do this for every coloring page. With the second picture I colored in the video, I used The Color Catalog to help me choose a set of colors for the flowers in the hair that created the right mood for my page before I began coloring them in. It meant that the final piece looked cohesive and colorful, and I’m really happy with the result. (The extra markers were from my larger set of Ohuhu brush markers)

5. Use a reference photo

If you really want to replicate accurate skin tones, the best way to do this is using a reference photo.

You can find reference photos online on free stock websites like Pixabay, Unsplash or Pexels. Because I was going to be coloring a girl’s face in this example, I just did a search on each of these websites for “girl face” and these are some of the photos I found. From there, I used Photoshop to pull out the colors so you can see how different the skin tones are in each of these examples – but this is not something you need to do. You can just use the reference photo itself as a guide to help you get an idea of the colors, shading and angles.

As you can see in this selection of photos, there are a huge range of skin tones, and they don’t always include obvious skin colors. Different lighting plays a huge role in the colors – bigger shadows and moodier scenes create a bigger contrast and difference between the darkest and lightest colors, like these examples.

When choosing a reference photo, there are a few things you should look for.

• First, you want a photo that represents the skin tone you want to draw.
• Second, you want to choose a photo that has similar lighting you want to copy.
• And finally, it’s helpful to find a reference photo where the face is on a similar angle to the face you are going to draw or color in.

You can use one photo for all of these, or multiple! For example, when I color the 2^nd picture in the video, I’ll show you how I use one of these references images to copy the shadows, even though the skin tone is completely different to what I’m coloring.

Confused?

Don’t panic! If you find it hard to match the colors from a photo, then you can just use the color marker combinations that I showed you above, and follow the below steps instead.

So now that we’ve chosen our colors, let’s jump into our coloring!

If you’d like to color along, the coloring page I’m using is available for $1 as a PDF printable here.

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How to color a face with alcohol markers – Step by step tutorial

1. Start with the lightest skin tone

First, I like to fill the entire face with the lightest skin tone (WG0.5). If your image is large, you may prefer to use the chisel tip to help you fill the larger area quickly. Otherwise the brush tip is fun to use and perfect to getting into small spaces and staying in the lines near the edges. I personally prefer the brush tip because I feel it gives me more control over the pressure and movement.

One thing I’ve noticed with the Ohuhu markers is that they do get more saturated with more layers. So when I swatched out my colors, I ended up with VERY saturated and vibrant skin tones. So keep this in mind – you may want to work lightly and keep less layers if you’re wanting pale skin or a dull color. It does, however, mean that we can use a single color for some of our shading too, which we’ll do in our next step.

2. Decide where your shadows will be

The simplest way to do shadows is to think about where light naturally falls and start there. I’m actually going to use the same marker as my base layer, and lightly go over a second layer in the areas that I think make sense for shadows in this picture.

• Around the hairline and to frame the face
• Under the neck
• Under the eyebrows
• Under the nose
• Along the side of the nose
• Under the lips
• Under and around the eyes – but not too big or she’ll look really tired

But we don’t have much depth yet, because we’re still only using one color. So it’s time to bring in our midtones.

3. Use your midtones for shading

If you are happy with where your shadows are, use your midtone colors and go over these areas again. Remember to work carefully and be patient.

Once you’ve added your midtones, take out your lighter marker again, and use it to blend the midtones into your base color. You can do this by gently going over it too add more moisture and reactivate the inks so they start to blend.

TIP: Don’t be tempted to scrub to try and blend your colors! When I first used alcohol markers, I used to scrub my marker back and forth, trying to make the blend “happen” – until a friend commented on my video on horror at how I was treating my poor markers. I wasn’t until much later that I learned that the only thing your markers need to blend is moisture and time. So be gentle, and patient. Give the ink time to do it’s work!

4. Use your darkest tone for the deepest shadows

Now it’s time to get our darkest color and add some more depth to those shadows. This time, focus on areas like the neck, the frame around the face, and under the hair. Unless you are wanting to create some dramatic light effects, you probably don’t need to add too much of your darkest color around the eyes, nose or mouth. In my case, I did add a little bit around these areas later, because I ended up making the whole face a bit darker than I first planned.

Go back again with your midtones to blend your darkest colors into the rest, and again with your lighter markers if you feel it is necessary.

From here, you can stop, or you can keep working between colors to adjust details, work on specific areas a little more, or darken certain shadows a little more.

In my picture, I decided to keep working on the overall page to darken the midtones quite a bit – you won’t always need to go back and forth as often as I have in this example. (It does get a little bit lighter again as she dries, so keep that in mind as you are adding layers – give the markers time to see your results!)

5. Finishing touches

Let’s grab some other colors to finish up the details on the face, including the lips, eyes and eyebrows, and the face is done.

I’m going to use the same method to color her hand. Starting from the lightest color first, then the midtones, then to the darkest color, blending each of the colors in between.

I’m using a flicking blending method for the hair with the markers I’ve chosen from this same set and I’m actually working from the darkest marker first, the the midtones, and then the lightest.

And to finish off, we’ll add some final touches with a white pencil and a white gel pen… something I always love to do with my coloring pages. And she’s done!

Other blending methods

In this tutorial, I’ve used a light to dark method of blending – but this isn’t the only way you can blend with alcohol markers. You can also blend dark to light, with a flicking or feather technique, or even mixing the colors by touching the tips of your markers together and letting the color transfer between them. Check out this article from Ohuhu with more details on each of these methods.

Coloring Skin Tones: Advanced lighting techniques

Before we finish up this tutorial, I do want to take a moment to discuss some more advanced lighting ideas.

If we look back at our reference photos, you’ll notice that some of them have some really interesting lighting. And you can replicate this lighting by copying where the lighting is on these faces.

Let me show you an example with this face, and I’m going to choose a different coloring page with a face that’s in a similar pose to our reference photo, who is looking straight ahead.

So instead of doing our shadows around the whole face, the shadows are now predominantly on the right side. The shadows are heavier, and the transition from light to dark is very sharp and quick. I’ve tried copying that as I colored the next page. You can watch me color it in the above video. (Grab the page here for $1 if you want to try coloring this one too!) – I had some fun with a white pen, as usual. Check out my white pen tips here if you haven’t already!

As you can see, a different shadow changes the mood of the whole page dramatically. So once you’ve had some practice with basic skin tones and color faces, I encourage you to get creative and try something unique with some interesting lighting. Using a reference photo is a great way to make this easier and less intimidating.

More About Ohuhu Markers

If you’ve been following me on Instagram or Facebook, you’ve probably heard me referring to my ‘new favorite Copic alternative’ alternatively lately… and you’ve possibly even spotted the Ohuhu markers already sitting on my shelf. I bought a set of 48 Ohuhu Brush Markers from Amazon after hearing rave reviews from others, and after discovering how affordable they were, especially compared to my beloved Copics.

As soon as I picked them up, I knew I needed the bigger set. They were great to use, easy to blend, vibrant colors, and totally comparable to Copics for a beginner like me. After using them more and reading more reviews, I have been able to identify why Copics are so much more expensive (and in the future, I’ll do a full comparison video of the 2) but I definitely think the Ohuhu markers are more than enough for most hobby colorists and artists. In fact, I decided to give away my set of 48 to a friend so I had an excuse to buy the full set of 120 markers – which I’m eagerly awaiting to arrive in a few days as I write this, after multiple delivery mixups with Amazon and Australia post!

Even with the set of 120 markers almost in my possession, I was very excited when Ohuhu reached out to me (who, me?) to write this post for them. They sent me the set of 24 skin tone markers, which include a great range of colors to create a variety of skin tones. They also told me they have a 36 set just released!!

Here’s a look at the colors currently included in the set of 24, which you can buy from the Ohuhu website or Amazon.

I was surprised at how many new colors were included that weren’t in the 120 set I’d just ordered!

The following colors from the 24 skin tone set are NOT included in the 120 set from Ohuhu, which is the biggest set you can currently buy of the alcohol brush markers… making the 24 set a worthwhile extra purchase in my personal opinion.

• YR7 – Cadium Yellow
• YR10 – Brun
• YR20 – Morin
• YR91 – Natural Oak
• YR95 – Burnt Sienna
• YR107 – Reddish Yellow
• Y145 – Bettercup Yellow
• YR148 – Thin Persimmon
• YR209 – Hazelnuts
• R26 – Honey
• R27 – Pale Mauve
• R28 – Colocasia Tonoimo
• R29 – Pear Color
• R30 – Pale Cherry Pink
• 5 – Warm Grey 0.5

From these 24 skin tone markers, You can create a huge variety of different skin tones by combining different sets of colors for your highlights, midtones and shadows. I’ve included some examples below that you can use to get started, but I encourage you to experiment with your own combinations too. In each of these examples, I’ve tried to use a lighter color for highlights, 1-2 colors for midtones, and 1-2 darker colors for shadows. You can vary these amounts or layer your colors to create even more variety and more skin tones from these same markers – so these examples below are only a few of the many different tones you can create with these 24 markers.